Created primarily for research purposes, these short 'white mirror'* films were created with a level of visual fidelity to ensure clarity of context and concept, and were built in a way that allowed for continuous iteration, up to and beyond testing. The black and white hand-drawn style was the most efficient way of achieving this, it has the semantic benefit of communicating a 'work-in-progress', whilst leaving space for the audience's own mind to contribute.

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*In a nod to the dystopian 'Black Mirror' anthology by Charlie Brooker, we liked to refer to our work as 'white mirror', as we sought positive outcomes in future relationships with technology.